Zack Khalil – New Red Order – Visiting Artist 03/21/24
Thursday March 21st 2024 at 1pm
In-Person talk and lecture by Artist Zack Khalil, New Red Order
location DIAP MFA Studio, Shepard Hall room 408
Zack Khalil, a filmmaker and artist whose work explores an Indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms.
He will visit the DIAP MFA Program to speak about New Red Order (NRO), a public secret society facilitated by core contributors Jackson Polys, Adam Khalil, and Zack Khalil.
New Red Order (NRO) is a public secret society facilitated by core contributors Jackson Polys, Adam Khalil, and Zack Khalil. Polys is a multi-disciplinary artist who examines negotiations toward the limits and viability of desires for Indigenous growth. He holds an MFA in Visual Arts from Columbia University and was the recipient of a Native Arts and Cultures Foundation Mentor Artist Fellowship. Adam Khalil is a filmmaker and artist whose practice attempts to subvert traditional forms of image making through humor, relation, and transgression. He received his B.A. from Bard College and is co-founder of COUSINS Collective. Zack Khalil is a filmmaker and artist whose work explores an Indigenous worldview and undermines traditional forms of historical authority through the excavation of alternative histories and the use of innovative documentary forms. He received his B.A. at Bard College in the Film and Electronic Arts Department, and is a UnionDocs Collaborative Fellow and Gates Millennium Scholar. Their work has appeared at Artists Space, Haus der Kulturen der Welt Berlin, Kunstverein in Hamburg, Lincoln Center, Museum of Modern Art, Museum of Contemporary Art Detroit, New York Film Festival, Sundance Film Festival, Toronto Biennial 2019, Walker Arts Center, and Whitney Biennial 2019, among other institutions.
New Red Order (NRO) works with networks of informants and accomplices to create grounds for Indigenous futures. NRO emerges in contradistinction to an older, extant secret society dubbed “The Improved Order of the Red Men,” an American organization, revived in 1934 as a whites-only fraternity, whose redface rituals and regalia are inspired by the country’s most famous, foundational act of Indigenous appropriation: the donning of Mohawk disguises by the Sons of Liberty during the Boston Tea Party. If the foundation of settler society rests both on desires for indigeneity and the violent displacement of Indigenous land and life, NRO asks how those desires could be channeled toward productive and sustainable ends.